While preparing a review for Terrart magazine
(number 64, 1st semester 2024, Barcelona, p. 60-61), I have had the great
pleasure of getting to know the work of Sofia Beça (Porto, 1972), one of the
great ceramists of Portuguese lands, who is developing her activity, especially
in the field of sculpture and murals made of fired clay.
Through the work of such a simple and humble
material as clay -apparently only with her hands, but in reality -with her
brain and heart, in unison- she is capable of recreating captivating spaces
through the magic of her art -where the ceramic element- becomes the real
protagonist, inviting the delight of all the senses. For, the contemplation of
her works allows us to feel -caressing her pieces- perceive with the touch, the
textures of the finishes chosen by the author herself, while visually she
introduces you into the small world of plastic beauty -simply natural and human.
After a magnificent formative preparation in
the specialty in the field of ceramics, at the Soares dos Reis School of
Decorative Arts in her native city, in the late nineties and other
specialization courses: Raku and especially sculpture and murals, under the
mastery of great teachers such as Emidio Galassi and Acadio Blasco, the latter,
considered by herself as her great master, she pursued her path that she had
chosen by vocation, steadily with perseverance, tenacity and enthusiasm,
tracing, thus, a career path based on fundamental principles that distinguish
her for her talent and excellence in the results achieved. She is currently a
member of the International Academy of Ceramics.
Since 1997 he has been exhibiting successively
- individually and collectively. One of the first was at the Museum of Pottery
of Barcelos, later exhibiting her works in several renowned galleries, which we
mention below, as well as in museums dedicated to the ceramic theme in
Portugal, Spain, the Netherlands, etc. Precisely because of her participation
in other events, collectively - both in exhibitions, symposiums and
international biennials, she has deserved the recognition of being one of the
Portuguese ceramists with more international projection. Her work has been present
in Japan, Argentina, France, South Korea. Austria, Tunisia, Egypt, Poland,
Germany, Denmark, China, Latvia, Turkey, Greece, Italy, Slovenia, Russia,
Hungary, ... even with commissions to beautify some public spaces, all over the
planet.
She has been awarded a large number of prizes
and recognitions, since 2002, especially in various competitions in the Iberian
Peninsula, international ceramics competitions, etc., some of them shared with
other artists.
In general, he delights us with a very careful
work, technically impeccable, inspired by vital facts - intrinsically human
activities - such as walking or wandering, following the earth as a common
thread, not only for the raw material used, but also as his own idea - source
of inspiration - from which emanate the slogans, meticulously chosen to make
many of his works. In fact, all of them are linked to a theme that imbues them
with meaning, in addition to giving them a life of their own that can be
perceived by those who contemplate them with sensitivity and desire to contact
with authentic art.
Selecting some examples, we refer to space,
habitat, mountain, valley, path, garden, territory ... in fact the envelopes of
the human being and its scenarios from its most remote origins.
Now, well, it is also inspired by feelings,
such as falsehood, love, disillusionment, ... so intrinsic to human life
itself.
Technically, he uses stoneware as raw material,
which, once worked, is fired in a wood-fired oven. The designs, in general, of
simple outline, always looking for a compositional rhythm that is reached
harmonically as if it were a musical piece. In his works, the repetitions of
elements are interspersed in a rhythmic and harmonious way, recreating
geometries of blurred coloration. In this way, the chromaticism and tonalities
are achieved by the action of fire, always, eagerly inquiring, rough textures,
brittle roughness, similar to many of the geological formations, such as rock
or sedimentary overlays, thus reproducing the sequencing of a stratigraphy.
Skill, mastery of technique and exquisite
taste, essentially the result of approaches, ideas meticulously calibrated
through a deep reflection on the human in our small planet, its weaknesses, but
also showing how sublime a small work of ceramic art can be.
Margarida Genera i Monells
Prehistorian
and archaeologist
